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好的文学往往产生于害羞的人,孤独的性格,忧郁敏感的情绪……在一定程度上这是一种鉴别。好的文学或可是恣意纵横的,但好的写作者周围多半酝酿着某种特别的氛围:被动、收敛,闪现类似于性感的秘密诱惑。多读多写的道理在于:小说和小说自成一个世界,要沉浸于这个世界,学习这个世界的语言,做这个世界的公民,永远如此。对一个写小说的而言,现实世界的作用要远远小于小说世界的作用。请铭记。文学创意是这样的一种东西,无论你写成小说、拍成电影、排成话剧、经过翻译……都不会丢失。创意是经得起转换
Good literature tends to come from shy people, lonely characters, depression-sensitive emotions ... to a certain extent this is an identification. Good literature, however, can be anything but vertical and horizontal, but good writers tend to have a special atmosphere around them: passive, astringent, and flashing similar to sexy seduction. The principle of reading more and writing more lies in the fact that novels and novels should become immersed in this world, learn the language of this world, and be citizens of this world forever. For a novel to be written, the role of the real world is far less than that of the world of fiction. Please bear in mind. Literary creativity is something like that, whether you write a novel, make a movie, make a drama, translate ... ... you are not lost. Creative is amenable to conversion