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认识论的审美化是德国当代美学家沃尔夫冈·韦尔施(Wolfgang Welsch)在《重构美学》一书中提出来的一个重要理论范畴。在书中他认为,当今审美化的流行、泛滥不仅仅波及日常生活这一浅表层面,而且它同样渗透进了更深的认识论层次,美学将不再仅仅属于上层建筑,而且属于基础;它的对象不复仅仅是一种“美的精神”、娱乐的后现代缪斯、直白的经济策略,而且还是对现实的一种新的认知,这认知在本原上发端于一种审美的意识——认识论的审美化;并且认为,认识论的审美化便是当代审美泛化的根本原因。反观历史,西方认识论的审美化思想得到了相当的发展;而在中国,庄子的思想正是认识论审美化主要的理论资源,其认识论与审美观实现了完美地融合。
The aestheticization of epistemology is an important theoretical category put forth by German contemporary aestheist Wolfgang Welsch in his book Aesthetics of Reconstruction. In his book, he believes that the prevalence and spread of today’s aesthetic not only affect the superficial level of daily life, but also infiltrate into a deeper epistemological level. Aesthetics no longer belongs only to the superstructure but belongs to the foundation. Its The object is no longer merely a “spirit of beauty”, a postmodern muse of entertainment, a straightforward economic strategy, but also a new cognition of reality that originates from a Aesthetic consciousness - epistemological aestheticization; and that the aestheticization of epistemology is the root cause of contemporary aesthetic generalization. In contrast, history has witnessed a considerable development of aesthetic ideology in Western epistemology. In China, Zhuangzi’s thought is the main theoretical resource of epistemological aesthetics, and its epistemology and aesthetic conception are perfectly integrated.