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一般评论都视洪深名剧《少奶奶的扇子》为民国舞台表演的一次革命,但对于剧本自身在“五四”出走剧中的地位,以及它与王尔德《温德米尔夫人的扇子》之间的关系,就甚少深究。这篇短文的目的在从洪深编译剧以嘲讽形式传递的文化保守主义价值出发,特别说明处于半殖民地“五四”话语深处的一种通常未受注意的现代保守主义,即认为现代文化的根本问题都在欧美现代得到充分解决,中国现代主义者的任务无非翻译、转述和表达。
The general comments are regarded as a revolution in HongKong famous play “Grandma’s Fan” for the stage performance of the Republic of China. However, for the script itself in the “May Fourth” departure drama and its relationship with Wilde “Lady of Windermere” The relationship between the little study. The purpose of this essay begins with the value of cultural conservatism conveyed by Hongshen’s compilation in the form of ridicule. In particular, it describes a generally unnoticed modern conservatism in the semi-colonial discourse of “May Fourth” The fundamental problems of modern culture are fully solved in modern Europe and the United States. The tasks of Chinese modernists are nothing more than translation, rewriting and expression.