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文学的主体性是文学艺术的基本特征之一,它在先秦文学的《风》、《骚》及诸子散文中都有着突出的表现。但到了汉大赋的形成,则几乎完全丧失丁文学的主体性;而同时代的司马迁,则在其文学观、人生观和创作实践上与之形成了鲜明的对比,突出体现了文学的主体性。这不仅使《史记》等具有了卓越而不朽的艺术价值,而且承前启后,使我国古代文学的主体性在汉魏之际得以恢复和发展。
The subjectivity of literature is one of the basic characteristics of literature and art. It has a prominent performance in the “Wind”, “Sao” and prequel essays in pre-Qin literature. However, by the time of the formation of the Han dynasty, the subjectivity of Ding literature was almost completely lost. Simultaneously, Sima Qian was in sharp contrast with his literary outlook, outlook on life and his practice of writing, highlighting the main body of literature Sex. This not only enabled the historical records to have excellent and immortal artistic value, but also enabled the restoration of the subjectivity of ancient Chinese literature during the Han and Wei dynasties.