学院教育与现代艺术

• 作 者: 易英
• 出 处: 大艺术
• 发表日期: 2004年02期
• 关键词: 人工制品 学院教育 现代艺术 应用美术 思维惯性 当代 艺术创作 现代审美 前卫艺术 前卫

从美术史的角度看,一切要求人们进行审美体验的人工制品都可以成为美术史的对象。这个观点不仅极大地扩充了美术史的范围,而且也极大地扩充了艺术与艺术创作的范围。同样的道理,当代艺术也应该不再局限于纯艺术的创作,一切具有现代审美经验的人工制品都可以视为当代艺术。按照我们的经验,当代艺术的概念承袭了传统的思维惯性,如同美术史上的惯例一样,艺术的创造总是被截然地分为高级与次要的两部分,绘画、雕塑、建筑被列为高级艺术,应用美术或工艺美术则是次要

From the perspective of art history, all artefacts that require people to perform aesthetic experiences can become objects of art history. This view not only greatly expanded the scope of art history, but also greatly expanded the scope of art and artistic creation. By the same token, contemporary art should no longer be limited to the creation of pure art. All artefacts with modern aesthetic experiences can be regarded as contemporary art. According to our experience, the concept of contemporary art inherits the inertia of traditional thinking. As in the history of fine arts, the creation of art is always divided into two parts, high and low. Painting, sculpture and architecture are classified as advanced Art, applied art or arts and crafts are secondary