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初读今年第四期《中国花卉盆景》彩页中杨正雄先生的榕树盆景时,觉得它层次丰富清楚,结构严谨,根盘密结而不纷乱。但细细品味,觉得它的气势过于稳重,从内涵上看更接近于日本的盆景作品,而缺少一些能体现中国特色的飘逸与高渺。细一分析,其原因是盆树主干枝冠与副干枝冠相互连接,并形成了比较稳定的等腰三角形结构(如示意图1),加之用的是相对来说较为厚重且深的圆形小沿盆,从而更易让人产生上述感觉。
The first reading of this year’s fourth “Chinese Flower Bonsai” color pages in Mr. Yang Zhengxiong banyan tree bonsai, it is rich and clear level, structured, rooted without confusion. But savor, think its momentum is too steady, from the connotation point of view closer to the Japanese bonsai works, but the lack of some can reflect the elegant and elegant with Chinese characteristics. Detailed analysis of the reasons is that the main trunk of the potted tree trunk and deputy crown branch connected to each other, and the formation of a more stable isosceles triangle structure (as shown in Figure 1), combined with the use of relatively thick and deep round Little along the basin, which makes it easier for people to produce the above feeling.