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手打歌诀手打三节不见形,设若见形不为能;钻横裹拨一旁走,手能劲发任意行。手为左右两拳,在技击中运用最广泛,变化最多,既有左右之分,又有单手双手之别。拳有阴阳之分,掌也有阴阳之易,还有掌拳互变之妙用。在技击中,擒拿、点穴、却骨、摔法等,无论采用哪一部位打法,都脱离不开两手的封闭、领化,所以说手打在技击中的地位十分重要,它包括了拳、掌、勾、爪、指等。在技击打法中,主要用砸、劈、钻、拿、盖、掳、推、刁、击、撩、啄以及反背拳、切削掌、剑指等多种打法。
Hand playing song tactic three do not hit the shape, if the shape can not see; drill cross wrapped aside aside, hands can be arbitrary hair line. Hand for the left and right fists, the most widely used in combat, the most change, both about the points, but also with one hand and the other. Fist has yin and yang of the points, there are yin and yang of the palm of the hand, as well as the magical potential of each. In the attack, catch, acupuncture, but bone, wrestling, etc., no matter which part of the play, are inseparable from both closed, collar-based, so that the fight in the attack position is very important, which includes the boxing, Palms, hooks, claws, fingers and so on. In the attacking and striking method, the main methods include smashing, splitting, drilling, taking, covering, exiling, pushing, daring, striking, teasing, pecking and anti-boxing, cutting the palm,