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审视中国现代抗战广播剧文学创作,其思想性比较鲜明,但它并不是以单一的维度自居,而是呈现了激励颂扬与反思批判的多向维度。中国现代抗战广播剧文学兴起于亡国灭种的危机中,潜存的英雄神话原型被激活了,从审美形象上看,它塑造了原型意味非常强的审美形象,是英雄神话原型的现代置换与变形,突出了巾帼期待,表现了女神崇拜的审美倾向。中国现代抗战广播剧文学的整体审美风格经历了从沉郁悲愤到悲壮冷峻的发展流变。全面抗战之前的抗战广播剧文学呈现了郁闷深沉、悲伤怨愤的共同特点,之后就呈现了既慷慨悲壮、激愤豪迈,又深情真挚、锐利冷峻的特征。
When examining the literary creation of the modern-day war-resistance radio dramas in China, the ideological nature of the dramas is rather clear. However, it does not represent itself in a single dimension. Instead, it presents a multidimensional dimension that inspires and criticizes radio critics. From the perspective of aesthetic image, it shapes the aesthetic image with very strong archetypal meanings, which is the modern permutation and transformation of the heroic mythological archetype. As a result, Highlighting the expectations of women, showing the aesthetic tendencies of goddess worship. The overall aesthetic style of Chinese modern anti-Japanese radio drama literature has undergone a developmental change from gloomy anger to sadness and solemnity. The anti-war radio drama literature before the full-scale resistance war presented the common features of depressing deepness, sadness and resentment, and then presented the characteristics of being both generous and solemn, indignant and heroic, sincere, sharp and solemn.