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导演在戏剧演出中的创造到底是什么?平时不常反思,任凭经验和惯性实践。此次有机会一次性观摩了38台大小剧目的演出,这个问题倏然间“掠”上心头,催逼自己思考,因此有了以下这些体会。 对于导演的创造,有两种意见分歧。有的说:导演要死在演员身上,强调导演是“演员的老师”;有的强调导演是“演出的作者”要求导演活在舞台上。导演究竟是死在演员身上,抑或活在舞台上,这反映出不同的演剧观念。死在演员身上
What is the director’s creation in theatrical performance? Usually, we do not often reflect on experience and inertial practice. The opportunity to have a one-time view of the 38 performances of the size of the show, this problem suddenly “swept” on the heart, urged myself to think, so the following experience. There are two disagreements about the director’s creation. Some say: the director dying on the performer, emphasizing that the director is “an actor”; some stressed that the director is “the author of the show” asked the director live on the stage. Whether the director died on the actor, or live on stage, reflecting different concepts of drama. Dead on the actor body