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本文分析了谢赫“气韵生动”的概念,梳理了这一理论的历史背景和理论基础,阐述了其中蕴含的美学品质。本文彰显了“气韵生动”在中国古代美学思想历程中的地位和作用。
This article analyzes the concept of Sheikh “Vivid and Vivid ”, combs the historical background and theoretical basis of this theory, expounds the aesthetic quality contained therein. This article demonstrates the status and role of “Vivid and Vivid ” in the course of ancient Chinese aesthetics.