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自20世纪开始,跨文化戏剧在西方表演艺术中便占据了相当重要的位置。在全球化的背景下,文化已经不再纯粹,混合、借鉴和互动已经让所有文化变成混血。西方戏剧家们努力接近东方文化艺术,向东方学习,取得了相当大的成就。本文将集中对尤吉尼奥·巴尔巴(Eugenio Barba)和彼得·布鲁克(Peter Brook)两位大师进行分析,首先介绍巴尔巴的国际戏剧人类学院和奥丁剧院,然后论述布鲁克是如何在他的作品《摩诃婆罗多》(Mahabharata)中表现东方文化的。
Since the 20th century, cross-cultural theater has played a very important role in Western performing arts. In the context of globalization, culture is no longer pure, mixing, drawing on and interacting has made all cultures mixed. Western dramatists made great efforts to gain access to oriental culture and art and learn from the east. This article will focus on Eugenio Barba and Peter Brook’s master, analyzing Barbados’ International Academy of Theater and Humanities and the Odin Theater, then discussing how Brooke was at him Oriental culture in the Mahabharata.