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田壮壮,从第五代的著名导演到北京电影学院的教授,一夜之间成了同学们仰望的老师。自最开始的电影《盗马贼》、《猎场札撒》、到新作《小城之春》、田壮壮一直走着他诗意的风格化路线。《蓝风筝》是他电影生涯中的一个巔峰,影片叙述的是这样一个故事:某个女学生于1950年刚开始工作时就与同学结婚,很快丈夫被打成右派赴深山老林改造并死于工伤的故事;她的第二个丈夫是个老实巴交的,成份优秀的同事,帮她把孩子养大,自己却由于饥饿和疾病与1960年去世:女主角此时只想为孩子创造一个比较好的成长环境,就嫁给了第三个丈夫,一个生活条件优越的老干部。没想到日子没过多久,“文革”一来,老干部倒了,女主角被送往乡下,留下孩
Zhuang Zhuang strong, from the famous director of the fifth generation to Beijing Film Academy professor, became a classmate looking up overnight teacher. From the beginning of the movie “Horse Thieves”, “hunting Zha Saa”, to the new “Little Town Spring”, Tian Zhuang Zhuang has been walking his poetic stylistic line. “Blue Kite” is a culmination of his movie career, the film narrates is such a story: a female student married his classmates when he first started working in 1950, and soon her husband was labeled as a right to transform and die in the mountains and forests In the story of work-related injuries; her second husband is a humble, good-natured colleague who helped her raise her children and died in 1960 due to hunger and disease: the heroine only wanted to make her child better The growth of the environment, they married a third husband, an old cadre living conditions. Did not think the days did not take long, “Cultural Revolution ” came, veteran fell, the heroine was sent to the countryside, leaving children