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1973年美术市场的价格危机究竟给美术界以怎样的启示呢?那时,不用说大家,就是鲜为人知、从未在法国艺术市场占据一席之地的画家的作品都价格飞涨。所有人都被这种反常现象惊呆了。职业画商们在吃惊的同时,更被其经济利益所吸引,积极插手于这一暴涨的市场。而一旦不安心理占据上风,形成一夜暴跌,他们将一无所有。在以会员制拍卖方式为主的美术市场上,价格飞涨和暴跌显然是不可阻止的,既使画商们串通一气抬高画价,也是不可能的维持。因此一旦价格开始下降,则任何人都不会冒险购入。由于美术市场没有本质的价格内容,所以70年代的美术兴旺是有其历史的原因。但此后,因没有结
What is the revelation for art circles in 1973 when the price crisis in the art market threatened us? At that time, it goes without saying that the prices of works by painters who are little-known and have never occupied a place in the French art market skyrocket. Everyone is shocked by this anomaly. Occupational painters are surprised at the same time, more attracted by its economic interests, actively involved in this soaring market. And once the restless minds gain the upper hand, forming a overnight plunge, they will have nothing. In the art market, where the membership-based auction is the dominant method, soaring and plunging prices are obviously unstoppable. It is also impossible for art dealers to work together to raise prices. So once the price starts to fall, no one will take the risk of buying. Since the art market does not have an intrinsic price, the art of the 70s thrived for its history. But then, because there is no knot