活在记忆里的雷乃

• 作 者: Qtn
• 出 处: 电影世界
• 发表日期: 2014年04期
• 关键词: 雷乃 希区柯克 电影作品 马里昂 阿尔弗雷德 阿伦 广岛之恋 我爱你 对抗方式 场景设置

《去年在马里昂巴》中,阿伦·雷乃曾经将阿尔弗雷德·希区柯克的侧影剪纸版插入一个画面的暗处。希区柯克在这部电影中的“客串”既让人不解,也十分耐人寻味。从表象上来看,没有哪两个人会比一个幽默、邪恶却身居好莱坞高位的导演和一个艰涩难懂地坚挺在法国新电影前沿的导演更显得八竿子打不着了。然而相同的是,这两个人都有着被敏感与恐惧充满的灵魂。他们的电影作品里,都有着深深的恐惧。如果说希区柯克的执念来源于他对性爱、家长与当权者的恐惧,那么,雷乃的恐惧则来自对记忆、死亡与不可逃脱

In “Last year at Marion Bar,” Alan Rene had inserted a silhouette cut from Alfred Hitchcock in the darkness of a picture. Hitchcock’s “guest” in this movie is both puzzling and intriguing. On the surface, no two people could be beat by more than a director with a humorous, evil but Hollywood-high position and a director who was hard-won and hard at work on the new French movie. However, in the same way, both of these individuals have souls that are sensitive and fearful. There is deep fear in their movie productions. If Hitchcock’s obsession comes from his fear of sex, parents and those in power, then Ray’s fear comes from the memory of death and inevitable