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不少学者把文艺作品中的“意境”解释为情景交融,即艺术家主观情感与客观环境或客观景物融为一体,李泽厚先生还以此类比西方美学中的“移情”。我们认为,这一观点解释了“意境”的主要含义,但漏掉了其他一些重要内容。一、关于“意”的认识“意”最早出于《易经·系辞传》:“子曰:书不尽言,言不尽意。然则,圣人之意,其不可见乎?子曰:圣人立象以尽意。”尽意,即指借助于形象充分传达圣人之意念,包括对宇宙万物、社会人情等各方面
Many scholars interpret the “artistic conception” in literary and artistic works as the blending of sceneries, that is, the subjective emotion of the artist integrates with the objective environment or the objective scenery, and Li Zehou also uses such “empathy” in the western aesthetics. In our opinion, this view explains the main meaning of “mood ”, but omits some other important contents. First, the understanding of “meaning ” “meaning ” earliest out of the “Book of Changes”: “said: the book is not full of words, not enough to say, however, the meaning of saints, which is not Visible? Son said: the image of the saint to make every effort. ”" Consensus means that by means of images to fully convey the idea of saints, including all things in the universe, social and human aspects