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中国的神像观念早已在新石器时期的彩陶图案中显现出来,至佛教艺术传入之前的西汉,已形成了具有中国本土文化特色的神像观念.战国至汉代是一个重要的发展和转折时期.本文试图通过比较文献中的观念和在造型艺术实物中显示出来的观念,探讨早期中国神像观念的某些变化和基本特征.战国的正统观念认为,神的世界与人间世界是分离的,也不应有直接来往,即《国语·楚语》所称“绝天地通”,该书对神人世界、秩序和交往有一段详细的解释:
The concept of the goddess in China has long been revealed in the pottery motifs of the Neolithic period. Until the introduction of Buddhist art in the Western Han Dynasty, the concept of idol with Chinese local culture has been formed. The Warring States period to the Han Dynasty was an important period of development and transition. Tries to explore some changes and basic features of the concepts of early Chinese idol by comparing the concepts in the literature with those displayed in the real objects of the plastic arts.The orthodox ideas of the Warring States believe that the world of God is separate from the human world and should not be There is a direct deal, that is, “Mandarin Chu language,” said “Never mind”, the book on the world of God, order and contacts have a detailed explanation: