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藏画的方法,昔人每多谬误。予常往私人藏家看画,每见有霉烂不堪者,有蛀虫粉碎者,有纸黄而脆者,有发黄成黑斑者,败卷残楮,虫鱼潜逐,种种败坏之情,为之心怵,究其源,皆不能妥为保存之故。传世之书画因天灾人祸大量毁灭之外,故旧之家,因保存不得其法而致损失者,亦不计其数。故至今流传日少,吾人再不可不留心保护。兹略述数要点于后,以供参考。存画宜于干爽之处,以免发霉或生虫。昔人每于春秋佳日,于日光下曝画,以为可以祛湿杀虫,实是大谬。因书画俱为纸、绢,一经日炙
Tibetan painting method, the past every more error. Often to private collectors to see the painting, see each have rotten, who are crushed by worms, paper yellow and crisp, with yellow into black spots, ruined volumes of residues, worm fish, all kinds of corruption , For the heart 怵, study its source, are not properly preserved. The painting and calligraphy handed down by the destruction of a large number of people due to natural disasters, so the old house, due to save the law but caused losses, but also countless. So little has been circulated so far, I must protect myself. Here is a brief summary of the points for reference. Deposits should be dry place, so as not to mold or insects. Everyone in the spring and autumn and good times, in the sunlight exposure, that can damp insecticide, it is absurd. Because of painting and calligraphy are all paper, silk, once Sunburn