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豫剧舞台由于历史原因多年来都是由女演员主导,自唐喜成创派才有了男演员的一席之地,因而豫剧界一直有着“十生九唐”的说法,唐派唱腔的影响力可见一斑。本文通过对唐派唱腔创始人唐喜成艺术形成初期的成长期、创派初期的艺术成熟期、流派形成的传承发展期,以及从草台到庙堂的根据地建设和转移四个时期梳理和比较分析,总结出唐派唱腔艺术的形成与发展规律。
Because of historical reasons, opera stage has been dominated by actresses for many years. Since the establishment of Tang Xicheng’s faction, there has been a place for actor. Therefore, opera circles always have the saying of “ten students and nine tangs”. The influence of Tang faction singing is evident . Through the analysis and comparison of Tang Xicheng founder Tang Xicheng’s four stages: the initial stage of the formation of art, the maturity stage of the initial stage of his creation, the inheritance and development stage of genre formation, and the construction and transfer of the base from grass to temple, Summed up the formation and development of the Tang School singing art.