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旨在促进东西方设计文化和设计艺术文流,增进平面设计行业与大众相互了解沟通,激发并提升设计创意的人文自觉、艺术灵感和社会责任意识的“O1主题海报展暨论坛”6月16日在北京中国现代文学馆隆重举行。中国著名设计艺术家、清华大学美术学院余秉楠教授,中国包装技术协会主席、清华大学美术学院陈汉民教授,著名文学家舒乙先生,香港平面设计大师石汉瑞先生,美国平面设计大师史蒂夫·格尔斯布勒先生,中国著名设计师陈绍华、吕敬人,清华大学《装饰》杂志主编张夫也,《广告人》总编辑穆虹以及来自全国15个设计师协会、知名专业院校的代表、学生、相关产业人士聚集一堂,共同研讨新世纪设计的现状与未来。如此跨国界、跨专业、跨行业的设计研讨会,在数字化已成为当今人类创造物质和精神产品重要工具的时代,在如此高格调的地点--中国现代文学馆举行,其本身就能够让人与中国现代文学史上的新文化运动联想到一起。然而,研讨会所传达出来的强烈的沟通意识、市场化意识的确像一股股清泉,给中国平面设计界注入了新的观念、新的活力。中国的设计师有多大作为?据国家轻工总会发布的数据我国的国库里至今仍存放着七八十万台老式缝纫机、二百多万只老式手表、几十万辆旧式自行车。这
“O1 Theme Poster Exhibition and Forum” aiming to promote the design of East-West culture and design art flow, enhance mutual understanding and communication between the graphic design industry and the general public, stimulate and enhance the humanistic awareness, artistic inspiration and social responsibility awareness of design creativity. On the 16th was held in Beijing China Modern Literature Museum. Chinese famous design artist, Professor Yu Bingnan of Tsinghua University Academy of Fine Arts, Chairman of China Packaging Technology Association, Professor Chen Hanmin of Tsinghua University Academy of Fine Arts, famous writer Shu Yi, Hong Kong Graphic Design Master Shi Hanrui, graphic designer Steve Gell Mr. Sbuble, famous Chinese designer Chen Shaohua, Lv Jingren, Tsinghua University, “Decoration” magazine editor Zhang Fu, “advertising” editor Mu Hong and from the National Association of 15 designers, renowned professional institutions representatives, students , Related industries gathered together to discuss the status quo and future of the new century design. So cross-border, cross-disciplinary, cross-industry design seminars, digital has become today’s humanity to create an important tool for the material and spiritual products era, in such a high style place - held in China Modern Literature Museum, itself can make people With the new cultural movement in the history of modern Chinese literature. However, the symposium conveyed a strong sense of communication and a market-oriented awareness indeed like a stock of pure liquid, which infused new ideas and new vitality into China’s graphic design community. How big is the Chinese designer? According to the data released by the National Light Industry Association, there are still 700,000 or 800,000 old-fashioned sewing machines, over 2 million old-style watches and hundreds of thousands of old-style bicycles in our country’s treasury. This