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用活动画面纪录现实的创作样式一涎生(最初是摄制在胶片上的),纪实的艺术就比艺术的纪录历史要长些。可惜在后来很长时间里,这种纪录片创作被斥之为无艺术、或够不上“高雅艺术”,要么把它作为功利性的散化工具,召之即来,挥之即去。没有了名正言顺的地位。现在,人们似乎记起了它的“辈份”,逐渐对其尊重,亲热起来。究其原因,因为纪录片好看起来了,亲近起来了。它有艺术价值,有审美价值,当然还有其不可湮没的历史价值。(一)纪录片创作以前谈论得最多的是真实性。“艺术界已经被瓜分完毕,留给纪录片的是什么?唯有真实”这段话被反复引用。现在“真实是纪录片的生命”已成为大多数纪录片创作者的共识。所以纪录片创作存下的无非是表现什么和怎样表现的问题。而怎样表现既受表现什么所制约,又经历不同时期的发展,它的表现样式越来越多。一些在过去
Using live footage to record a realistic style of making a saliva (originally filmed on film), documentary art is longer than art history. Unfortunately, for a long time later, this kind of documentary creation was denounced as non-art, or “noble art,” or as a utilitarian tool for disseminating it. There is no justification status. Now, people seem to remember its “seniority”, gradually respecting and intimacy. The reason, because the documentary looks good, close together. It has artistic value, aesthetic value, of course, its historical value can not be annihilated. (A) the most talked about before the documentary creation is the authenticity. “The art world has been divided up, what is left for the documentary? Only real” is quoted repeatedly. Now “the reality is documentary life” has become the consensus of most documentary creators. Therefore, documentary creation is nothing more than performance of what and how the performance of the problem. And how to show performance by both performance constraints, but also experienced the development of different periods, it is more and more performance style. Some in the past