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新疆城市雕塑不仅是城市形象的塑造,更是对民汉交互的公众审美的引导和体现。地域性和民族性是新疆城市雕塑的特有文脉,民族历史文化人物、现实生活风情的题材选择和具有伊斯兰宗教和少数民族装饰手法的形式语言、表现方式等既是行之有效的经验,也具有进一步深化和开掘的空间:激活新疆历史和考古材料的资源,在题材上深化新疆城市雕塑的民族文化涵义;深入研究新疆少数民族的视觉心理和造型传统,在表现语言上强化新疆城市雕塑本体的民族文化意味。
Urban sculpture in Xinjiang is not only the shaping of city image, but also the guidance and expression of public aesthetic interaction between people and Han. Regionalism and nationality are the unique contexts of urban sculpture in Xinjiang. The selection of topics of national historical and cultural figures and real life style as well as the formal languages and expressions with Islamic religious and minority decorative techniques are both effective experiences as well as Further deepen and explore the space: activate the resources of Xinjiang history and archeological materials, deepen the national culture meaning of Xinjiang city sculpture on the subject matter; further study the visual psychology and modeling tradition of ethnic minorities in Xinjiang, strengthen the urban sculpture ontology in Xinjiang National culture means.