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现代杂技正是在保持了本体属性的前提下,不断地吸纳现代姊妹艺术的优长,强化了杂技本体的艺术冲击力和感染力。应该说,姊妹艺术的加盟对现代杂技的创作是功不可没的。然而,我们不应该以此便认定传统杂技原本并非是艺术。
It is precisely under the premise of maintaining the noumenon properties, modern acrobatics constantly absorbs the superiority of the modern sister art and strengthens the artistic impact and appeal of the acrobatics ontology. It should be said that the sister art joining is indispensable to the creation of modern acrobatics. However, we should not assume that traditional acrobatics were not originally arts.