扬琴琴竹滑音器的设计及使用

• 作 者: 周秀珠
• 机 构: 云南省歌舞团,
• 出 处: 乐器
• 发表日期: 1993年01期
• 关键词: 扬琴演奏 演奏实践 民族风格 鸟叫 民族乐器 世伟 伴奏音乐 开一 器制 上海音乐学院

扬琴在我国应用非常广泛。随着扬琴演奏技法的不断创新,扬琴的表观力也越来越丰富。目前国内的扬琴艺术家们为了突出演奏的民族风格,使旋律更加委婉动听,通常是使用滑音指套奏出各种滑抹音以及模拟鸟叫、风声等特殊效果的。我在长期的演奏实践中,通过不断摸索和借鉴前辈们的经验,构思了一种直接粘在琴竹尾部的滑音装置,并与云南冶炼厂技师张世伟一起设计制造出了这种琴竹滑音器(见图1)。

Dulcimer is widely used in our country. With the continuous innovation of the performance of dulcimer, dulcimer’s apparent force is also more and more rich. At present, the domestic dulcimer artists emphasize the national style of playing and make the melody more euphemistic and pleasant. Usually, they use the phonetic transcription finger to play various soothing sounds and simulate the special effects such as birds singing and wind. In my long-term performance practice, through the continuous exploration and experience of predecessors, I conceived a slippery sound device that is directly adhered to the tail of Qin bamboo and designed and manufactured this Qin bamboo sound damper together with the Yunnan smelter Zhang Shiwei (see picture 1).