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由香港著名导演陈可辛指导的根据真实故事原型改编的打拐题材电影作品《亲爱的》在赚足观众眼泪的同时实现了票房口碑双丰收。其中众主创的实力派演技得到极大肯定。丢失爱子的城市女性鲁晓娟,在慢慢寻子路的过程中逐渐找寻自己;争夺孩子抚养权的人贩子老婆李红琴,同样是寻子与寻己过程中的另类表达。更重要的是,我们透过角色的自寻之路能够自省,找寻自己心中的“圣地”。电影背后的社会群像建构,更折射出我们
Directed by Hong Kong famous director Peter Chan directed by the true story of the prototype adaptation of the crime theme movie “Dear” tears in the eyes of the full audience to achieve the double harvest at the box office. One of the most important real power sent the acting was greatly affirmed. Lu Xiaojuan, an urban woman who lost her son, gradually finds her way through the process of gradually finding her way out. Li Hongqin, a traffickers’ wife who is fighting for custody of her children, is also an alternative expression in the process of seeking children and seeking oneself. More importantly, we can look for the “holy earth” in our hearts through the role of self-seeking. The construction of social groups behind the movie reflects us more