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古希腊时代,戏剧是民主的讲台,闪烁着瑰丽的人性光辉;近代欧洲,戏剧是启蒙的载体,拉开自由与平等之帷。蔡元培先生在《北京通俗教育研究会演说辞》中说:“戏剧在转移风气、启迪民智上所收效果最大。”他将小说、戏剧、演讲视为三种最有力、有效的教育手段,因为“舞台之描摹,最为感人”。再探21世纪中国的戏剧现状,我们不由平添几分焦虑。
In ancient Greece, drama was the podium of democracy, shining with magnificent humanity glory. In modern Europe, drama was the carrier of enlightenment, which opened the curtain of freedom and equality. Cai Yuanpei said in the speech of “Beijing Popular Education Research Society:” “Drama plays the most important role in shifting culture and inspiring people’s wisdom.” He regarded novels, plays and speeches as the three most powerful and effective educational tools , Because “stage description, the most touching ”. To explore the status quo of Chinese drama in the 21st century, we can not help but add some anxiety.