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今年春节后的一天,我们江苏射阳县海河公社斗港大队的农村舞台上发生这样一次对垒:一边是大队新盖的影剧场里,某剧团正在上演淮剧传统戏《金水桥》;另一边是离影剧场不远的生产队场头上,本公社的业余文艺宣传队正在演本县作者创作的反映农村经济体制改革后如何进一步完善大包干责任制的生活小戏《放水求水》等文艺节目。前者服装讲究,演出条件好,室内风不透雨不漏;后者却在露天广场,设备简陋,演出当天又适逢嘎冷的西北风。但是,即便如此,观众的情绪却大不相同,影剧场内起初有六百多人就座,生产队场头只有二三百人。不到一个钟头,情况大变,室内由六百多人降为二百多人,而场头上则由二三百人猛增到两千多人。由于《放水求水》反映的是农民关心和熟悉的问题,
One day after the Spring Festival this year, we encountered such a confrontation on the rural stage of the Doosan Corps of Haihe Commune, Sheyang County, Jiangsu Province. On the side of the theater where the brigade newly built, a theater company was performing the traditional opera “Jinshui Bridge” and the other side was Not far from the theater field production team field, the commune amateur literature and art propaganda team is the author of this county to reflect the rural economic system reform how to further improve the responsibility system of responsibility for the big show “water” and other literary programs . The former clothing stress, performance conditions are good, the indoor wind does not leak through the wind does not leak; the latter is in the open plaza, simple equipment, the same day coincides with the cold weather of the northwest wind. However, even with this, the mood of the audience is quite different. At the beginning of the theater there were more than 600 people seated, with only two or three hundred people in production. In less than an hour, the situation has changed drastically. The indoor area has dropped from over 600 to more than 200, while the field has soared from two hundred or three to over two thousand. As “water for water” reflects the concern and familiarity of farmers,