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20世纪80年代末,雕塑界在经历了一段衰落之后,重振旗鼓,成绩斐然。 有许多雕塑家并不热衷于创造激进的新概念,他们对本世纪雕塑方法的演进有着非常实在的把握,在此基础上,他们被一种相当深刻的内在需要所推动,重新探索有关空间,体积和质量的奥秘。在现代雕塑的众多表现方式中,这些雕塑家们选择最多的还是那些空间感很强的物体,这些物体通常自成一体,容易制作,并且多为比较传
In the late 1980s, after a period of decline in the sculpture industry, the sculpture regained its full potential. Many sculptors are not keen on creating radical new concepts. They have a very firm grasp of the evolution of sculptural methods of the century, and on the basis of which they are motivated by a rather deep intrinsic need to rediscover the space, the volume, And the mystery of quality. Among the many representations of modern sculpture, these sculptors choose the most spacious objects that are often self-contained, easy to make, and often more informative