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如果将1995年称为“老歌手复出年”,恐怕不会有什么异议。在这一年,由于田震、杭天琪、程琳、郭峰、臧天朔等人的再现江湖,以“新生代”为主架的流行乐坛的固有格局,开始了拆解与重构。面对1996年,我们可否一问:你的“复出”还那样多吗?屠洪纲还行吗?“屠洪纲”就是原来的“屠洪刚”。将“立刀儿”改成“绞丝儿”——他大概是觉得自己需要更多的“韧性”,来做一次有力的“反弹”。在我们的印象里,作为歌手的屠洪纲是熟悉而又模糊的:他的形象曾经频频出现于公众的视野当中,但他的声音一直缺乏明确的个性界定。
If 1995 is called “old singer comeback year”, I am afraid there will be no objection. During this year, due to the reproductions of rivers and lakes like Tian Zhen, Hang Tianqi, Cheng Lin, Guo Feng and Zang Tianshuo, the disintegration and reconstruction started with the inherent pattern of the pop music scene featuring the “new generation”. In the face of 1996, can we ask: Is your “comeback” still so much? Is Tu Honggang still OK? “Tu Honggang” is the original “Tu Honggang.” Changing “Ritaoer” to “Ripper” - he probably felt he needed more “resilience” to make a strong “rebound.” In our impression, Tu Honggang, a singer, is familiar and vague: his image has appeared frequently in the public field of vision, but his voice has always lacked a clear definition of individuality.