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新时期文艺理论研究的“审美化”转型使文艺研究能够摆脱政治视角而从审美角度进行,在当时的历史文化语境中具有解放性的积极意义,是我们进行文艺研究的有益视角和方法。但时过境迁,没有绝对完美的理论经久不衰,理论内部科学性的论争加上外部文化研究的冲击,使这一审美化研究模式也不得不反思自身。我们要从一种更宏观的整体的角度来审视其历史意义和理论局限,否则偏颇理论的不断发展只会离真理越来越远。
The “aesthetic ” transformation of the study of literary theory in the new era enables the study of literature and art to get rid of the political perspective from the aesthetic point of view, and has the positive significance of liberation in the historical and cultural context at that time. This is a useful perspective for our study of literature and art and method. However, the passage of time, there is no absolutely perfect theory enduring, theory of internal scientific controversy with the impact of external cultural studies, so that this aesthetic mode of study also had to reflect on itself. We should examine its historic significance and theoretical limitations from a more macroscopic perspective. Otherwise, the continuous development of biased theory will only be further and further away from the truth.