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环境美学研究已经明显地扩展了审美理论。环境具有交融性、包容性、动态性等特征,它促使我们采取一种比体验艺术时更直接、更有力的欣赏体验方式。这种新观念既对艺术欣赏提出了挑战,也对审美理论提出了挑战,促使我们重新反思传统美学中的审美静观说与审美无功利概念。环境美学能够作为一座桥梁,将审美欣赏的传统形式与其他领域的审美价值密切联系在一起。如果自然美学、环境美学和艺术美学能结合在相同的理论框架中,那么我们就必须发展一个充分开放的结构,既尊重三者各自独特特征,又适应各个领域,从而重新改造美学学科。在对审美欣赏的尊重中,我们能够尊重地球及其所有栖居者,审美价值和道德价值因而走到了一起,美学与伦理学也因此而达到了根本契合。
Environmental aesthetics has apparently expanded the aesthetic theory. The environment is characterized by blending, inclusiveness and dynamism. It urges us to adopt a more direct and powerful way of experiencing the experience than art of experience. This new concept poses a challenge to art appreciation as well as a challenge to aesthetic theory, prompting us to reflect on the concept of aesthetic quietness and aesthetic non-utilitarianism in traditional aesthetics. Environmental aesthetics can serve as a bridge linking the traditional forms of aesthetic appreciation with the aesthetic values of other fields. If natural aesthetics, environmental aesthetics and art aesthetics can be combined in the same theoretical framework, then we must develop a fully open structure that reshapes the aesthetic disciplines by respecting each of the three unique characteristics and adapting to all fields. In the respect of aesthetic appreciation, we are able to respect the earth and all its inhabitants, aesthetic values and moral values so come together, aesthetics and ethics have thus reached a fundamental fit.