论文部分内容阅读
天然大漆是一种有着久远历史的材料,而漆画却是近现代出现的绘画种类,但受着漆器根深蒂固的形象的影响,漆画的整体面貌相对传统。无论是对材料的运用和技法的要求,都时时刻刻离不开漆器造型的束缚,甚至对漆画的表面平整度或是光亮度提出了严苛的要求,这显然违背了艺术创作的本意,本文就漆画创作材料的植入与表现展开话题,以patina的技法为主要研究,结合我自己的漆画创作来具体的探讨这个问题。在我个人的漆画作品(图1)中植入了铜片,
Natural lacquer is a kind of material with a long history, while lacquer painting is a kind of painting that appears in modern times. However, due to the deep-rooted image of lacquer, the overall appearance of lacquer painting is relatively traditional. Both the use of materials and technical requirements, are always inseparable from the shackles of lacquer modeling, even the lacquer surface roughness or brightness put forward stringent requirements, which is clearly contrary to the original intention of artistic creation This article focuses on the topic of patina’s technique of implanting and presenting materials, combining with my own lacquer painting to explore the issue in detail. In my personal paint works (Figure 1) in the implantation of copper,