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90年代社会的转型和多元化格局的形成,使这一时段的新诗在流派、体式和诗美营造上都表现出多元纷呈互补共存的景观。就流派而论,后现代主义、现代主义、新理想主义、现实主义等既共时性多元并存又难以准确地分割界定,就体式而论,除了新诗史上已经形成的自由体、格律体、半格律体、散文诗等继续生存着外,萌兴于80年代中期而在90年代蔚为大观的抒情思辨长诗,占据了重
In the 1990s, with the transformation of society and the formation of a pluralistic pattern, the new poetry in this period showed a landscape of multiple and varied forms of co-existence in genre, style and creation of poetry and beauty. As far as the genre is concerned, postmodernism, modernism, neo-idealism and realism, both in time and in pluralism, can not be precisely defined and segmented. In terms of somatic style, in addition to the free bodies, Lattice, Prose Poetry, etc. continue to survive, Meng Xing in the mid-80s while in the 90’s magnificent lyricism poetry, occupy the weight