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诗歌艺术表现论在中国古典诗学研究中占有重要地位 ,诗艺表现论亦为王夫之诗学的重要组成部分。王夫之诗学表现论的要义乃是追求艺术的有机与浑成 ,包括艺术意象的浑成、艺术结构的完整和艺术章法的完好等。王夫之的这种艺术浑成论的诗学观念虽然不以独创性取胜 ,但深刻地体现了对中国古典诗歌艺术创作经验的全面反思 ,又是对中国古代诗学艺术表现论的系统总结 ,达到了中国传统诗学对诗艺表现的审美特征和审美规律认识的最高水平
Poetry performance theory plays an important role in the study of classical Chinese poetics. Poetry performance theory is also an important part of Wang Fuzhi’s poetics. The essence of Wang Fuzhi’s poetics is the pursuit of organic and complete art, including the mastery of the artistic image, the completeness of the artistic structure, and the integrity of the art. Wang Fuzhi’s poetic concept of muddying his art does not win by originality, but profoundly expounds the comprehensive reflection on the artistic creation experience of Chinese classical poetry and the systematic summary of the art expression theory of ancient Chinese poetics. The highest level of understanding of the aesthetic characteristics and aesthetic laws of Chinese traditional poetics in the performance of poetry