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漫畫是時代的產物,它總是同時代的脈搏一起跳動的,如果我們重視十九世紀歐洲的戈雅和杜米埃的貢獻,那麼我國許多諷刺畫家在反帝、反封建以及大革命年代裹的功績,同樣也是不可磨滅的。近幾年在北京,每年葉淺予總要召集三十年代的漫畫作者聚會一次。於今我們都已是七八十歲的老人了,把中國漫畫家在抗日烽火中的經歷紀錄下來,在中國漫畫史上留下有意義的一頁,是我們這些老人的樂趣,也是我們的責任。一九三五年日本帝國主義併吞中華的兇燄愈演愈烈。全國人民抗日情緒日益高漲。在中國漫畫的發源地上海,編輯《時代漫畫》月刊的魯少飛、王敦慶與《獨立漫畫》月刊的編輯
Caricature is the product of the times. It always beats with the pulse of the times. If we value the contribution of Goya and Dumit in Europe in the nineteenth century, then many caricaturists in our country were wrapped up in the anti-imperialist, anti-feudal, and revolutionary years Merit, the same is indelible. In recent years in Beijing, Ye Xiaoyu always summons comic authors of the 1930s once in a year. Now that we are all seventy-eighty-year-olds, we have recorded the Chinese comic artists’ experiences in the war against Japan and left a meaningful page in the history of comic books in China. It is also the pleasure of our elderly people and our responsibility. In 1935, the fierce flame of Japanese imperialism annexing China intensified. The people’s anti-Japanese sentiment is on the rise. At the birthplace of Chinese comics, Lu Shaofei, Wang Dunqing and editor of the independent comic monthly magazine