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文学批评与大众传媒是当前学界一再讨论的话题,问题围绕着批评的立场、批评与传媒空间的关系、审美批评与文化批评等方面展开,而文学批评在大众传媒中的身份确认则是我感兴趣的一个问题。无独有偶,前不久在北京举行了一次中德两国“文学评论与大众传媒”的学术讨论会。德国文学批评家、《文学杂志》主编西格里特·勒夫勒女士在《图书市场和新媒体》的题目下,对德国图书市场十年来的结构调整与文学批评的关系作了梳理;另一位批评家胡伯特·温克斯博士主要谈的是狭义的文学批评在德国的命运。两位是电视频道和报纸专栏上的批评家,他们的工作,主要是通过这种典型的大众传媒手段影响公众的文学阅读的。发言给人的印象是:德国
Literary criticism and mass media are the topics discussed repeatedly by the current academic circle. The questions center on the position of criticism, the relationship between criticism and media space, aesthetic criticism and cultural criticism, and the identity recognition of literary criticism in the mass media is what I feel A question of interest. Coincidentally, not long ago in Beijing held a Sino-German “literary criticism and mass media,” a seminar. German literary critic and literary magazine editor Ms. Sigret Loewler sorted out the relationship between the structural readjustment and literary criticism of the German book market over the past decade under the title of “Book Market and New Media.” One critic, Dr. Hubert Winks, mainly talks about the fate of narrowly literary criticism in Germany. The two are critics on television channels and newspaper columns, whose work mainly affects public reading of literature through this typical mass media. The impression given is: Germany