论文部分内容阅读
第11届中国艺术节于2016年10月30日在陕西西安落下帷幕,本届艺术节集中展示了2012年以来中国大陆主流戏剧创作的主要成果。在57台不同戏剧种类的参评作品中,戏曲占25台,比重最大。其中地方戏曲(不包括京剧昆曲)19台,所占数量最多。10部文华奖剧目,地方戏占了前3名,成绩最大。因此,我们基本可以以地方戏整体创作为例来分析当下主流戏曲的基本创作面貌及水平。笔者
The 11th China Arts Festival came to an end on October 30, 2016 in Xi’an, Shaanxi Province. This year’s festival focused on the main achievements of the mainstream drama creation in Mainland China since 2012. In 57 different types of drama entries, the drama accounted for 25 units, the largest proportion. Among them, 19 are local operas (excluding opera Kunqu opera), accounting for the largest share. 10 Mandarin Award repertoire, the local drama accounted for the top 3, the highest score. Therefore, we can basically analyze the basic creative features and levels of current mainstream drama with the example of local drama creation as a whole. author