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回顾20世纪中国戏曲走过的历程,有不少问题值得我们反思。譬如,戏曲在时代大潮和主流叙事中的边缘化,就很值得我们关注和探讨。这种边缘化境遇,可以结合时代背景、历史惯性和现代视野,从“社会/文艺”、“文艺/戏剧”、“戏剧/戏曲”三重连锁关系入手作剥笋式透视,它从深层上构成了当下语境中戏曲艺术“人气”低落的社会历史原因。正视这种边缘化,对于我们把握和思考新世纪中国戏曲的生存态势及未来走向,具有迫切重要的现实意义。
Looking back the 20th century Chinese opera through the course, there are many problems worth our reflections. For example, the marginalization of drama in the tide of the tide and the mainstream narrative deserves our attention and discussion. This situation of marginalization can be combined with the background of the times, historical inertia and modern vision to make a peelable perspective from the triple chain relations of “society / literature and art”, “literature and drama / drama” and “drama / drama” The social and historical reasons for the “popularity” of drama art in the current context are low. Facing this marginalization has an urgent and important practical significance for us to grasp and reflect on the survival trend and the future direction of Chinese opera in the new century.