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数千年中国书法的发展表明,书法一直处于文化语境的中心,书法一直是文人资格与文化整体高度的象征,即书家与文人的统一,古代书家的知识结构在很大程度上等同于文人。书家的多重身份及丰厚的学养已成为古代社会的一种普遍现象,书家即文人、知识分子,既晓诗文、历史、绘画,又精通哲学、经学等。传统文化形态与儒、释、道哲学精神所熔铸出的崇高艺术境界,又折射到艺术作品中。可
The development of Chinese calligraphy for thousands of years shows that calligraphy has always been at the center of the cultural context. Calligraphy has always been a symbol of the literary qualifications and the overall height of the culture, that is, the unity of the book writers and the literati. The knowledge structure of ancient calligraphists is largely equivalent In the literati. The book’s multiple identities and generous academic support have become a universal phenomenon in ancient society. The book writers, that is, literati and intellectuals, both know poetry, history, painting, and are proficient in philosophy and classics. The lofty artistic realm cast by the traditional cultural forms and the Confucianism, Buddhism and Taoism philosophy are also reflected in the works of art. can