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在文艺复兴之前,宗教绘画是当时占有主导地位的,主要用来服务于教皇,绘画中的对光的应用和色彩的构成多表现在写实性绘画之中,表达的思想也是西方的宗教艺术和观念,对于画家来说,从题材和表现方式上是很受限制的,因此我们会看到西方传统油画那种深褐色的色调,非常庄重和肃穆。文艺复兴之后,画家们在艺术观念上有了很大的突破,很多画家从带有宗教观念的艺术中解脱出来,走出画室,接近大自然,揭示大自然中的奥秘——自然界的光影和色彩逐渐出现在画作中。
Prior to the Renaissance, religious painting was dominant at that time and was mainly used to serve the pope. The application of light and the composition of colors in painting were mostly embodied in realistic paintings. The expressed ideas were also Western religious art and The concept, for the painter, is very limited in terms of theme and expression, so we can see the sepia tone of the western traditional oil painting, which is solemn and solemn. After the Renaissance, the painters made great breakthroughs in the concept of art. Many painters freed themselves from the art of religious ideas, stepped out of the studio and approached nature to reveal the mysteries of nature - the light and color of nature Gradually appear in the paintings.