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伍慧明发表的《骨》中通过莱拉的视角描写了利昂和梅森两代不同的男性形象。本文旨在从后殖民理论出发,探讨莱拉在构建这两位男性形象的同时,建立自己华裔美国人身份的过程。
The “bone” published by Wu Huiming describes the different masculine images of Lyon and Mason through Laila’s perspective. This article aims to set out from the postcolonial theory and explore the process of Laila’s establishment of their Chinese-American identities while constructing these two masculine images.