论文部分内容阅读
本文阐述了沈宗骞山水画美学思想中的“形神在离即之间”的观点与绘画之神妙在于“有意无意之间”之观点对中国山水画创作的影响,梳理了山水画美学中的形神之“形神在离即之间”与“有意无意之间”的山水画美学意义,并结合当代美学,进行了较为系统的分析,同时,指出了其对当代画家的深刻启示。
This paper elaborates the influence of the view that “the god of form and mind is in between” and the painting in “the conscious intention and the unintentionality” in the aesthetic thought of Shen Zongqian’s landscape painting on the creation of Chinese landscape painting, The aesthetic significance of the landscape painting of “god of form and mind” and “consciously or unconsciously” of “the god of form and shape”, combined with contemporary aesthetics, makes a systematic analysis, and at the same time points out its profound influence on contemporary painters Inspiration.