论文部分内容阅读
伴随着2015如期而至,2014落下了属于自己的帷幕。整体成交量萎缩、天价拍卖品难寻、整个市场持续低迷……与其他领域的雷霆万钧相比,刚刚过去的这一年,仍处在深度调整期的艺术品市场仿佛平淡了许多。然而,这就是抛却浮华、除去虚火后的真实,这就是对以往艺术品泡沫再度挤压后的“新常态”。媒体的力量在于真实。逼近真实、纪录真实,从来就是媒体人的责任之所在。正因如此,2014,我们全程记录了轰动业界的“功甫帖”之争,追踪报道了3月份“方罍之王”皿方罍的回归,一如既往地与
With 2015 coming on schedule, 2014 falls its own curtain. The overall volume shrinking, the auction price is hard to find, the entire market continued to slump ... Compared with other areas of the thunderbolt, just the past year, is still in the period of deep adjustment of the art market seems a lot of flattening. However, this is the truth behind the vanity, which is the “new normal” after the once again squeezed art bubble. The power of the media is real. Proximity to reality, record the truth, has always been the responsibility of media people. It is precisely for this reason that in 2014, we recorded the clashes between the industry and the world in 2014, and we tracked the return of March “King Fang Fang ” in March. As always,