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诞生于国外的生态博物馆在近年来被介绍如中国后迅速地被作为一种文化保护的有效手段而推广。在少数民族聚居的贵州省,政府在六枝梭嘎等地建设了一批生态博物馆,并将其作为发展和保护少数民族文化的新模式推广。不过从实际效果看,以梭嘎为代表的这批生态博物馆并没有起到预想的目的。综合看来,政府干预过度、当地人文化保护积极性未能真正激发都是导致梭嘎生态博物馆建设中问题的重要因素。因此,让生态博物馆回归到政府与民众共建,并使其以文化保护,而非经济建设为核心才有可能梭嘎生态博物馆得以走向良性发展之路。
The eco-museum born abroad was quickly introduced as an effective means of cultural protection after it was introduced in recent years, such as China. In Guizhou Province, where ethnic minorities live in concentrated communities, the government has built a number of eco-museums in six shuttle areas such as Songhua and promoted it as a new model for the development and protection of ethnic cultures. However, from the actual results, the eco-museum represented by Sohga did not serve its intended purpose. To sum up, the excessive intervention by the government and the failure of the enthusiasm of local people to protect their culture have all contributed to the major problems in the construction of the Soka Eco-museum. Therefore, it is possible for ecological museums to return to the construction of the government and the common people and make it possible for the ecological park to move towards sound development with cultural protection instead of economic construction as the core.