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不经意间,这10年用过的数码相机也有10余台之多。当年,在惊诧于数字技术“即拍即现”的时候,我们并不知道,银盐介质与CCD或者CMOS的区分,改变的不只是成像方式,它在10年里越来越影响着我们看待摄影的眼光,专业的暗房变成了个人的后期亮室,越来越让我们拥有了一种自由。将近两个世纪里,我们一直称摄影为艺术,但在强调“瞬间性”、“不可复制性”等本体语言的语境和实践中,人的感知乃至思想意识都是借着被拍摄对象而间接的呈现,摄影师
Inadvertently, this 10-year-old digital camera also has as many as 10 units. That year, when we were amazed at the digital technology, “tap and now,” we did not know that distinguishing between the silver salt medium and the CCD or CMOS changed not just the imaging method, but it became increasingly influential in 10 years We look at photography, professional darkroom into a personal late bright room, more and more let us have a freedom. For nearly two centuries, we have always called photography art, but in the context and practice of emphasizing ontology languages such as “instantaneous” and “non-replicable”, human perception and even ideology are all based on The subject was indirectly presented, photographer