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中国画的意境、意象是在“外师造化、中得心源”的思想规范中孕育的。潘天寿解释“外师造化、中得心源”有两段甚为精辟:“画中之形色,孕育于自然之形色,然画中之形色,又非自然之形色”,“故画之贵乎师造化、师自然者,不过假自然之形相耳。无此形相不足以语画,然画之至极则,终在心源。”诗论所说的感物生情,因情造文,道理同此。
The artistic conception and imagery of Chinese painting are nurtured in the ideological norms of “good fortune of the outsider, source of well-being in the outside world”. Pan Tianshou explained that “the good fortune of a foreigner is very good,” that there are two very brilliant chapters: “the shape of the painting, the shape of nature, the shape of the painting, and the unnatural color” Therefore, the art of painting is good for teachers and naturalists, but the natural shape of each other.No such a phase is not enough to make a calligraphy and painting, but the ultimate painting is the source of the heart. Text, the same reason.