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魏晋南北朝的社会品评随时序发生功能移转,经由道德素养移至政治清议再转向审美旨趣;文艺批评随之体现出拟社会化特征,其客体论和主体论也初建起来。此期的文艺批评借鉴社会品评之“取象比类”思维方式,形成具体的“比兴象喻”批评法,并分流出重视感性审美体验的《诗品》“直寻”模式与追求客观公正效果的《文心雕龙》“妙鉴”模式。《诗品》遂构建起一个诗人社会,对后代诗话、词话、曲话的形成产生内在的影响;《文心雕龙》把社会品评的道德标准转换成了艺术标准,使文艺批评走向自觉和成熟。
In the Wei, Jin, Northern and Southern Dynasties, social criticism shifted functionally with time sequence, moved to political discourse through moral qualities, and then turned to aesthetic interest. Literary criticism subsequently embodies social characteristics and its object theory and subject theory were initially established. This period of literary and art criticism draws on social criticism “take the image as the class ” way of thinking, to form a specific “Xing” metaphor “criticism method, and divert attention from the emotional aesthetic experience of” poetry “” “Mode and the pursuit of objective and fair effect” Wen Xin Diao Long “” wonderful Kam "mode. Poetry and Poetry then constructed a poet society, which had an inherent influence on the generation of poetry, words and melodies in later generations. Wen Xin Diao Long changed the moral standards of social criticism into artistic standards, mature.