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羌人对于自然图腾的崇拜来源于他们所处的相对闭塞的山区环境,直到现在,很多习俗依然反映着他们崇尚自然、热爱自然的纯美情感和独有的审美观念。宁强是羌族故地,据史料记载,夏商时期羌族就在宁强生息,有着悠久的历史和文化,所以羌绣在宁强一直盛行不衰。但随着后来大量汉人与羌族人杂居,羌人渐被汉化,导致这里羌汉民间民俗艺术相互交融的局面,羌绣艺术的汉化现象已非常明显。
Qiang worship of natural totem from their relative occlusion in the mountain environment, until now, many customs still reflect their advocate of nature, love nature’s pure feeling and unique aesthetic concepts. Ningqiang is the place where the Qiangs lived. According to historical records, the Qiangs lived in Ningxia during the Xia and Shang Dynasties and had a long history and culture. Therefore, the Qiang embroidery was rather popular in Ningqiang. However, with the subsequent large number of Chinese and Qiang people living together, Qiang people gradually become Chinese, leading to the folk arts here Qiang and Han blend with each other situation, Qiang embroidery art localization is very obvious.