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现代西方抽象派绘画脱胎于十九世纪末西方的立体派和未来派绘画,它们使绘画形式发生质的变化,反对用具体的造型语言描绘客观物质世界,主张把物质世界的外表形式肢解或时间化,但立体派和未来派并没有完全从现实的具体事物上游离,这种形式的加工、肢解、歪曲、重新组织的方法,为的是想按自己的主观愿望来再现一个变了形的世界、难以捉摸的世界.他们作画的灵感却来源于自然的客观存在,即便那些属于分析性的立体派作品,也没有臻于极端抽象的境地,也即说,没有完全失去与自然联系.可是真正的抽象派则一开始就切断与自然的关
Modern western abstractionist painting was born out of western cubism and futuristic painting of the late nineteenth century. They made a qualitative change in the form of painting, opposed the use of concrete stylistic language to depict the objective material world, and advocated the dismemberment or the temporalization of the appearance of the material world However, Cubism and Futurism are not completely free from actual concrete things. This form of processing, dismemberment, distortion and reorganization means that they want to reproduce a transformed world according to their own subjective wishes , The elusive world.The inspiration for their painting stems from the objective existence of nature, even those belonging to analytic Cubism, have not reached the extreme abstract position, that is, did not completely lose contact with nature, but real The abstract school cut off the relationship with nature from the very beginning