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民国时期美术史学的现代转型有赖于当时美术史研究的学术氛围,即美术社团、美术展览、美术期刊的发展和良性互动。民国时期,如雨后春笋般蓬勃发展起来的美术社团为美术史研究提供了良好的学术氛围。各种层次的美术展览层出不穷,扩大了社会影响,促进了美术消费。民国时期出版的各种美术刊物,发表美术从业人员的最新作品,关注美术变革中出现的新思潮、新成果、新信息,深化了人们对中国美术发展史的认识。
The modern transformation of art historiography in the period of the Republic of China depended on the academic atmosphere of art history research at that time, that is, the development and benign interaction of fine art associations, art exhibitions and fine art periodicals. During the period of the Republic of China, the fine art associations that spring up like mushrooms provided a good academic atmosphere for the study of art history. Art exhibitions of various levels are endless, expanding social influence and promoting art consumption. The various art journals published during the Republican Period published the latest works of art practitioners, paid close attention to the new trends of thought, new achievements and new information that emerged during the art reform and deepened the people’s understanding of the history of the development of Chinese art.