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虽然月份牌风靡只有短短的几十年,而1920年末的上海这个繁华的港口城市,无疑为月份牌这个商业美术的发展,提供了舞台。但它作为一种实用性艺术,很恰当的将中西绘画风格进行融合,郑曼陀又作为首批从事月份牌绘画创作的商业美术家,是月份牌发展的一个过渡时期,起到了很重要的承上启下的作用,其创作出来的月份牌画报无论是质量还是数量上来说都是可观的,使月份牌成为了当时人们追捧的“新宠儿”。
Although the monthly popularity of the brand only a few short decades, and the bustling port city of Shanghai in late 1920 undoubtedly for the development of this brand of commercial art, provided the stage. However, as a practical art, it is appropriate to integrate the Chinese and Western painting style. As the first batch of commercial artists engaged in the creation of the monthly license plates, Zheng Man Tuo is a transitional period of the development of the monthly license plate and plays a very important role in carrying on the inspiration. The monthly pictorial posters created by them are both qualitative and quantitative, making the monthly card the “new favorite” sought after by the people of that time.